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Comics I Follow

The Born Loser
By Art and Chip Sansom
Pearls Before Swine
By Stephan Pastis
Calvin and Hobbes
By Bill Watterson
Mother Goose and Grimm
By Mike Peters
Sherman's Lagoon
By Jim Toomey
Doonesbury
By Garry Trudeau
Rudy Park
By Darrin Bell and Theron Heir
Marmaduke
By Brad Anderson
Herman
By Jim Unger
Non Sequitur
By Wiley Miller
Arlo and Janis
By Jimmy Johnson
Prickly City
By Scott Stantis
Dark Side of the Horse
By Samson
Glasbergen Cartoons
By Randy Glasbergen
Bozo
By Foxo Reardon
bacon
By Lonnie Millsap
Medium Large
By Francesco Marciuliano
Zack Hill
By John Deering and John Newcombe
Today's Szep
By Paul Szep
Strange Brew
By John Deering
Randolph Itch, 2 a.m.
By Tom Toles
Outland
By Berkeley Breathed
Mike du Jour
By Mike Lester
Maria's Day
By John Zakour and Scott Roberts
Bo Nanas
By John Kovaleski
F Minus
By Tony Carrillo
Gray Matters
By Stuart Carlson and Jerry Resler
Get Fuzzy
By Darby Conley
Working Daze
By John Zakour and Scott Roberts
The Big Picture
By Lennie Peterson
Two Party Opera
By Brian Carroll
Bloom County
By Berkeley Breathed
Maintaining
By Nate Creekmore
Broom Hilda
By Russell Myers
M2Bulls
By Marty Two Bulls Sr.
Kevin Necessary Editorial Cartoons
By Kevin Necessary
Aunty Acid
By Ged Backland
Rubes
By Leigh Rubin
In the Bleachers
By Ben Zaehringer
WaynoVision
By Wayno
Half Full
By Maria Scrivan
Family Tree
By Signe Wilkinson
Wrong Hands
By John Atkinson
La Cucaracha
By Lalo Alcaraz
Bob Gorrell

Pedro X. Molina

Tim Campbell

Win, Lose, Drew
By Drew Litton
Gary Varvel

(th)ink
By Keith Knight
Al Goodwyn Editorial Cartoons
By Al Goodwyn
Steve Kelley

Rebecca Hendin

Chip Bok

Clay Bennett

Robert Ariail

Lalo Alcaraz

The Academia Waltz
By Berkeley Breathed
Pat Oliphant

Stuart Carlson

Matt Wuerker

Bloom County 2019
By Berkeley Breathed
Ted Rall

Signe Wilkinson

Jeff Danziger

Views of the World
By CartoonArts International
ViewsEurope
By CartoonArts International
ViewsAmerica
By CartoonArts International
ViewsAfrica
By CartoonArts International
ViewsBusiness
By CartoonArts International
ViewsMidEast
By CartoonArts International
ViewsLatinAmerica
By CartoonArts International
ViewsAsia
By CartoonArts International
Tom Toles

Dana Summers

Jeff Stahler

Scott Stantis

Drew Sheneman

Rob Rogers

Michael Ramirez

Marshall Ramsey

Joel Pett

Henry Payne

Jack Ohman

Nancy Classics
By Ernie Bushmiller
Nancy
By Olivia Jaimes
Jim Morin

Brian McFadden

Gary Markstein

Mike Luckovich

Mike Lester

Kevin Kallaugher
By KAL
Clay Jones

Joe Heller

John Deering

Matt Davies

Matt Bors

Steve Benson

Animal Crackers
By Mike Osbun
Hutch Owen
By Tom Hart
Jen Sorensen

Phil Hands

Walt Handelsman

Chris Britt

Steve Breen

Lisa Benson

Nick Anderson

The Boondocks
By Aaron McGruder
Ziggy
By Tom Wilson & Tom II
Wizard of Id Classics
By Parker and Hart
Wizard of Id
By Parker and Hart
Peanuts Begins
By Charles Schulz
Peanuts
By Charles Schulz
Garfield
By Jim Davis
Garfield Classics
By Jim Davis
The Flying McCoys
By Glenn McCoy and Gary McCoy
The Duplex
By Glenn McCoy
Drabble
By Kevin Fagan
Close to Home
By John McPherson
Ballard Street
By Jerry Van Amerongen
Back to B.C.
By Johnny Hart
B.C.
By Mastroianni and Hart
It really happened. The following is a quote from the Wikipedia page about an Italian painter named Daniele Da Volterra:
__"Daniele is infamous for having covered over, with vestments and fig-leaves, many of the genitals and backsides in Michelangelo’s The Last Judgment fresco in the Sistine Chapel. This work was begun in 1565, shortly after the Council of Trent had condemned nudity in religious art. It earned Daniele the nickname “Il Braghettone” (“the breeches-maker”).
He also chiseled away a part of the fresco and repainted the larger part of Saint Catherine and the entire figure of Saint Blaise behind her. This was done because in the original version Blaise had appeared to look at Catherine’s naked behind, and because to some observers the position of their bodies suggested sexual intercourse.
The loincloths and draperies in the lower half of the fresco, however, were not painted by Daniele. His work on the Last Judgment was interrupted at the end of 1565 by the death of Pope Pius IV, after which the scaffolding he used had to be removed quickly because the chapel was needed for the election of a new pope."__